俄罗斯流行Russian Pop

俄语流行音乐是在俄罗斯，独联体国家，波罗的海国家和其他外国生产的俄语流行音乐，其中的歌曲主要以俄语，独联体国家的语言以及世界其他语言演奏。

这是流行的“多样化”苏联音乐及其流行偶像（如阿拉·普加乔娃或瓦列里·列昂捷夫）的继承者。 现代的主流俄罗斯语言流行音乐种类繁多，可以通过多种方式传播给听众。可以在普通电视上的音乐或脱口秀节目中以及在音乐电视频道（例如MTV Russia和Muz-TV）上看到最著名的流行歌星。

还有俄罗斯的Pop广播电台，并且近年来有许多One-Hit奇迹。 俄语-音乐市场 随着苏联在世界舞台上的影响力的增强，流行音乐的俄语市场开始增长。1990年，除了将近3亿苏联公民居住在世界13％的陆地上，苏联流行音乐在前《华沙条约》的国家中也变得很流行，尤其是在斯拉夫地区（波兰，捷克共和国，斯洛伐克，保加利亚）和前南斯拉夫，以及匈牙利，中国，古巴）。 当时，俄语-语言流行音乐创作的无可争议的中心是莫斯科，在较小程度上是圣彼得堡。

苏联解体后，俄罗斯仍然是俄语的主要生产国和消费国-说音乐，在一些新的独立国家，尤其是乌克兰和白俄罗斯，需求仍然很高。对于相当重要的地区中心，除了莫斯科，圣彼得堡和基辅（乌克兰）外，当代俄语流行音乐还包括也面向俄语市场的音乐。 苏联解散和铁幕的倒塌，90年代初期的大规模移民，导致在欧盟，加拿大，美国，澳大利亚和其他地区（以当地人有机会通过互联网，卫星电视，各种媒体和夜总会的音乐来了解各种流派的俄罗斯音乐。

对并非来自俄罗斯的俄罗斯流行音乐表演者的杰出贡献。其中包括：保加利亚的Philipp Kirkorov，乌克兰的Ani Lorak，Verka Serduchka和VIA Gra，拉脱维亚的Laima Vaikule，白俄罗斯的Seryoga和Dmitry Koldun，叙利亚的Avraam Russo，哈萨克斯坦的A-Studio等。 历史 1960年代 马格马耶夫穆斯林，1960年代-70年代流行歌星 作为1960年代初世界上最大的市场之一，俄语流行音乐由1966年在莫斯科和列宁格勒组织的Edita Piekha，Valery Obodzinsky，穆斯林Magomayev，乐团等艺术家代表：Vesiolie Rebiata ，Poyushchiye Gitary。

1970年代 Alla Pugachova，1970年代-80年代流行歌星 索非亚·罗塔鲁（​​Sofia Rotaru），1970年代-80年代流行歌星 在1970年代，开始了他的职业生涯，然后获得了所有人的声誉-索菲亚·罗塔鲁（​​Sofia Rotaru），阿拉（Alla Pugacheva），瓦列里·列昂捷夫（Valery Leontiev）。在此期间，俄罗斯流行音乐开始影响各种西方流派（爵士，摇滚等），但流行的苏联音乐在东欧也获得了极大的普及。1970年夏天发行的第一支Vesiolie Rebiata EP合奏，已经销售了15975,000册。

1973年，在英国利物浦的国际比赛纪录中，该乐队获得了二等奖。这是苏联流行音乐在西方的第一个重大成功。 1980年代 瓦列里·列昂捷夫（Valery Leontiev），1980年代-90年代流行歌星 在1980年代初期，俄语-说苏联语-时代的音乐蓬勃发展。拉脱维亚作曲家赖蒙兹·保罗（Raimonds Pauls）的作品，例如“百万朵猩红色的玫瑰”，是在这一时期创作的，随后将成为经典作品。尤里·切尔纳夫斯基（Yury Chernavsky）为电影写歌，并与合唱团维索里·里比亚塔（Vesiolie Rebiata）一起使香蕉树成为大型岛屿。在初学者中首次亮相弗拉基米尔·普雷斯尼亚科夫。

在1980年代中期，弗拉基米尔·马特斯基（Vladimir Matetsky）开始与索非亚·罗塔鲁（​​Sofia Rotaru）合作，发行了歌曲《拉万达》。Laskovyi Mai和Mirage乐队在1980年代后期成为流行音乐发展的新阶段。 1990年代 菲利普·科科洛夫（Philipp Kirkorov），1990年代-2000年代流行歌星 即使在1990年代初，当时该国正遭受严重的经济和政治危机，尤其是俄罗斯和莫斯科仍然继续是俄语-语言音乐作品的重要生产者。

在此期间，创作了许多著名的流行音乐精选（Igor Nikolayev，Natasha Koroleva，Na Na，Tatiana Bulanova，Leonid Agutin，Oleg Gazmanov，Valery Meladze，Dmitry Malikov等）。这段时期在俄罗斯观众中非常受欢迎：DDT，Lyube，Sektor加沙。

这一时期还以新兴艺术家和团体的出现为特征，这些艺术家和团体在未来几年特别受欢迎，例如Valeriya，Anita Tsoy，Blestyaschie和Ruki Vverh!。俄罗斯唱片销售记录属于Vesiolie Rebiata合奏，售出179,850,000张。 2000年代 t.A.T.u.，世界上最成功的俄罗斯流行乐团之一 1990年代末和2000年代初，世界显着增长，尤其是在传统的俄罗斯音乐统治下，美国音乐尤其如此。

俄罗斯流行表演者非常了解音乐经验，他们从中汲取了很多经验，尤其是在安排方面。在2000年代后期，俄罗斯流行音乐市场加入了过渡时期。由于物理媒体形式的销售严重下降（这是全球整个行业的典型情况），因此对标签进行了重新分类，以通过Internet销售音乐（通常称为数字单打）。到2009年，由于数字内容（数字单打，铃声，回铃音等）的销量增加，与1990年代和2000年代中期相比，专辑的销量已大幅下降。

Russian pop music is Russian language pop music produced either in Russia, CIS countries, Baltic states and other foreign countries in which the songs are performed primarily in Russian language, languages of the countries of the CIS, and in the other languages of the world. This is the successor to popular "variety" Soviet music with its pop idols such as Alla Pugacheva or Valery Leontiev.

Modern-day mainstream Russian-language pop music is very diverse and has many ways to spread through the audience. The most famous pop stars can be seen on general television in music or talk shows, and also on music TV channels such as MTV Russia and Muz-TV. There are also Russian Pop radio stations, and there have been many One-hit wonders in recent years.

The Russian-language music market Russian-language market of popular music began to grow with the increase of Soviet influence in the world arena. In addition to the nearly 300 million Soviet citizens living in the 13% of the world landmass in 1990, Soviet pop music has become popular in the countries of the former Warsaw Pact, especially in the Slavic regions (Poland, Czech Republic, Slovakia, Bulgaria and the former Yugoslavia, but also in Hungary, China, Cuba).

The undisputed center of the creation of the Russian-language pop music of that time was the Moscow and, to a lesser extent, St. Petersburg. After the dissolution of the Soviet Union, Russia is still a major producer and consumer of Russian-speaking music, demand is still high in some of the new independent states, especially Ukraine and Belarus. For quite significant regional centers contemporary Russian language popular music include, in addition to Moscow, St. Petersburg and Kiev (Ukraine), which is also focused on the Russian-speaking market.

The dissolution of the Soviet Union and the fall of the Iron Curtain, the mass emigration of the early '90s, led to the formation of large Russian-speaking diaspora in the European Union, Canada, the United States, Australia and other regions, where the local population has had an opportunity to get acquainted with the Russian music of different genres, through the Internet, satellite television, various media, music in nightclubs.

A notable contribution to Russian pop music performers that do not come from Russia. Among them: Philipp Kirkorov from Bulgaria, Ani Lorak, Verka Serduchka and VIA Gra from Ukraine, Laima Vaikule from Latvia, Seryoga and Dmitry Koldun from Belarus, Avraam Russo from Syria, A-Studio from Kazakhstan and others.

History 1960s Muslim Magomayev, 1960s-70s pop star Formed as one of the largest markets in the world in the early of the 1960s, the Russian-language pop music was represented by such artists as Edita Piekha, Valery Obodzinsky, Muslim Magomayev, ensembles, organized in Moscow and Leningrad in 1966: Vesiolie Rebiata, Poyushchiye Gitary.

1970s Alla Pugachova, 1970s-80s pop star Sofia Rotaru, 1970s-80s pop star In the 1970s, started his career, and then got all-union reputation Sofia Rotaru, Alla Pugacheva, Valery Leontiev. At the same time in this period of the Russian pop music begin to influence various western genres (jazz, rock etc) But also the popular Soviet music is gaining tremendous popularity in Eastern Europe. First Vesiolie Rebiata EP ensemble released in the summer of 1970, for several years has sold 15,975,000 copies. In 1973 at the international competition record in Liverpool (England), the ensemble was awarded the second Prize. It was the first major success of Soviet pop music in the West.

1980s Valery Leontiev, 1980s-90s pop star In the early 1980s Russian-speaking Soviet-era music is booming. Works by Latvian composer Raimonds Pauls, such as "The Million scarlet roses", were created in this period, then will almost classic examples. Yury Chernavsky writes songs for films and together with the ensemble Vesiolie Rebiata lets magnitoalbom Banana Islands. Among beginners debuts Vladimir Presnyakov. In the mid-1980s Vladimir Matetsky starts its cooperation with Sofia Rotaru with song "Lavanda". Effect of a new stage in the development of pop music in the late 1980s was a group Laskovyi Mai and Mirage.

1990s Philipp Kirkorov, 1990s-2000s pop star Even in the early 1990s, when the country was going through a severe economic and political crisis, Russia and Moscow in particular, continue to be important producers of the Russian-language musical production. Many famous hits of popular music were written during this period (Igor Nikolayev, Natasha Koroleva, Na Na, Tatiana Bulanova, Leonid Agutin, Oleg Gazmanov, Valery Meladze, Dmitry Malikov and others.) Among the many areas of the rock group also had a huge popularity among the Russian audience in this period: DDT, Lyube, Sektor Gaza. This period was also characterized by the emergence of new artists and groups who have been especially popular in the coming years, such as Valeriya, Anita Tsoy, Blestyaschie, Ruki Vverh!. Russian record for the sale of records belongs to the ensemble Vesiolie Rebiata and makes 179,850,000 copies sold.

2000s t.A.T.u., one of the most successful Russian pop groups in the world The end of the 1990s and early 2000s were marked by a significant increase in the world, specially American music in the traditional dominance of Russian music. Russian popular performers in full acquainted with the world of music experiences, borrow a lot of it, especially in terms of arrangements. In the late 2000s, the Russian market of Pop joined the transitional period.

Due to a serious drop in sales in the form of physical media (which is typical for the industry worldwide), there is a reclassification of labels to sell music through the Internet (mostly so-called digital singles). By 2009, album sales have dropped significantly when compared to 1990s and mid 2000s due to increasing sales of digital content (digital singles, ringtones, ringback tones, etc).