回响贝斯Dubstep

Dubstep是电子乐的一种，源于伦敦，受新千年早期的英伦车库乐影响，由AMMUNITION PROMOTIONS命名。

从音乐理论来说，DUBSTEP以其黑暗色调，稀疏的节奏，和低音上的强调著称，Dubstep一开始只在当地的一些小地方传播，直到后来的2005和06年早期，由于一些网站的传播作用，才使这种类型的音乐得以保留和发展，像DUBSTEPFORUM，下载站点Barefile，还有像GUTTERBREAKZ通过博客来介绍，同时，一些杂志像THE WIRE和网络刊物PITCHFORK MEDIA对其进行了大篇幅报道，在2006年1月期间，BBC电台1的DJ MARY ANNE HOBBS开始用其来做电台秀（命名为DUBSTEP WARZ），之后人们对DUBSTEP越来越感兴趣。

Dubstep是电子舞曲的一种，起源于英国南伦敦。音乐网站Allmusic将其总体声音描述为“紧紧盘绕的产品，具有压倒性的低音线条和混响的鼓声，剪裁的样本以及偶尔的人声”。最早的dubstep版本可追溯到1998年，是深色的，更具实验性的，器乐性的2步车库音轨混音，试图将节拍的时髦元素或鼓和低音的黑暗元素纳入2步，其特征为B -单发行版。

2001年，在伦敦的夜总会Plastic People中，在“ Forward”之夜（有时被称为FWD >>），开始展示和推广这种黑暗的音乐以及其他一些黑暗的音乐，这些音乐对音乐的发展产生了重大影响。dubstep。关于音乐流派的术语“ dubstep”在2002年左右开始被诸如Big Apple，Ammunition和Tempa之类的唱片公司所使用，到那时，用于创建这些混音的风格趋势开始变得更加引人注目，并且与2不同-步和污垢。BBC Radio 1 DJ John Peel是声音的早期支持者，他从2003年开始播放该声音。在演出的最后一年2004年，他的听众将“距离”，“数字迷思”和“橡皮人”（前称“橡皮人”）评选为年度最佳50名。

Dubstep于2005年末和2006年初开始扩展到较小的本地场景。许多致力于该类型的网站出现在互联网上，并促进了场景的发展，例如dubstepforum，下载网站Barefiles和博客（例如gutterbreakz）。同时，该类型在音乐杂志（如The Wire）和在线出版物（如Pitchfork Media）中得到了广泛报道，并定期刊登了名为“ Month In：Grime / Dubstep”。自从BBC广播电台1 DJ玛丽·安妮·霍布斯（Mary Anne Hobbs）拥护该类型后，对dubstep的兴趣就大大增加了，从2006年1月的一场专门针对该类型的节目（名为“ Dubstep Warz”）开始。近十年来，该类型开始在商业上更加成功在英国，更多的单曲和混音进入音乐排行榜。音乐记者和评论家还注意到，在几位流行艺术家的作品中都产生了笨拙的影响。

大约在这个时候，制作人还开始将原始dubstep声音的元素与其他影响融合在一起，创建了融合流派，包括较慢且更具实验性的post-dubstep，以及受更苛刻，电房和重金属影响的brostep，后者对此做出了巨大贡献是dubstep在美国日益流行的主流。

Dubstep is a genre of electronic dance music that originated in South London, England. The music website Allmusic has described its overall sound as "tightly coiled productions with overwhelming bass lines and reverberant drum patterns, clipped samples, and occasional vocals". The earliest dubstep releases date back to 1998 and were darker, more experimental, instrumental dub remixes of 2-step garage tracks attempting to incorporate the funky elements of breakbeat, or the dark elements of drum and bass into 2-step, which featured as B-sides of single releases. In 2001, this and other strains of dark garage music began to be showcased and promoted at London's night club Plastic People, at the "Forward" night (sometimes stylized as FWD>>), which went on to be considerably influential to the development of dubstep.

The term "dubstep" in reference to a genre of music began to be used by around 2002 by labels such as Big Apple, Ammunition and Tempa, by which time stylistic trends used in creating these remixes started to become more noticeable and distinct from 2-step and grime. A very early supporter of the sound was BBC Radio 1 DJ John Peel, who started playing it from 2003 onwards. In 2004, the last year of his show, his listeners voted Distance, Digital Mystikz and Plastician (formerly Plasticman) in their top 50 for the year.

Dubstep started to spread beyond small local scenes in late 2005 and early 2006; many websites devoted to the genre appeared on the internet and aided the growth of the scene, such as dubstepforum, the download site Barefiles and blogs such as gutterbreakz. Simultaneously, the genre was receiving extensive coverage in music magazines such as The Wire and online publications such as Pitchfork Media, with a regular feature entitled The Month In: Grime/Dubstep. Interest in dubstep grew significantly after BBC Radio 1 DJ Mary Anne Hobbs started championing the genre, beginning with a show devoted to it (entitled "Dubstep Warz") in January 2006.

Towards the end of the decade the genre started to become more commercially successful in the UK, with more singles and remixes entering the music charts. Music journalists and critics also noticed a dubstep influence in several pop artists' work.

Around this time, producers also began to fuse elements of the original dubstep sound with other influences, creating fusion genres including the slower and more experimental post-dubstep, and the harsher, electro house and heavy metal influenced brostep, the latter of which greatly contributed to dubstep's rising mainstream popularity in the United States.