迷幻舞曲Trance

迷幻舞曲,由Techno演变而来,听了会让你有"出神"的感觉,但还是保有舞曲的律动,很注重Bass的表现,某些听了会有"催眠"的效果拍子也是以4/4拍为主 Trance音乐中有很多的电子合成器音色，节奏的变化很少，偶尔的用合成器的来区分节奏的变化。

1998年左右，一些全球著名的DJ Paul Oakenfold、Pete Tong、Tong De Vit、Sasha和Judge Jules在英国的很多大型的俱乐部播放trance音乐，最终连美国也开始散布trance音乐，例如Christopher Lawrence。

Trance突破了90年代初的德国技术和核心技术，强调简短的合成器谱系在整个曲目中无休止地重复，只增加了最小的节奏变化和偶尔的合成器气氛来区分它们-实际上使听众陷入了一种逼近的tr中具有宗教血统的人。尽管在90年代中期对声音的兴趣减弱了，但在上个十年的最后几年里，made声再次卷土重来，甚至取代了房子，成为全球最受欢迎的舞蹈音乐。受酸屋和底特律技术的启发，发呆与在比利时根特开设R＆S唱片和在德国法兰克福开设Harthouse / Eye Q唱片紧密结合。

R＆S在早期就用单曲定义了声音，例如Joey Beltram的“ Energy Flash”，CJ Bolland的“ The Ravesignal”以及Robert Leiner，Sun Electric和Aphex Twin的其他歌曲。Harthouse由SvenVäth与Heinz Roth＆Matthias Hoffman于1992年开始，用Hardfloor的史诗般的“ Hardtrance Acperience”和Väth自己的“ L'Esperanza”，以及Arpeggiators，Spicelab和Barbarella的发行，对of声产生了最大的影响。Väth，Bolland，Leiner等许多艺术家都向全长领域过渡，尽管对更广阔的音乐世界没有太大影响。尽管很早就出现了ance状态，但逐渐消失了，取而代之的是节拍舞（三脚跳和丛林舞），但这种风格对英国舞蹈界的影响越来越大，最终在90年代后期达到顶峰。

尽管经典的德国声音有所变化，但“渐进式” tr这个术语赢得了人们的青睐，用以描述房屋和欧洲舞蹈的顺利结束所带来的影响。到1998年，该国大多数最著名的DJ都曾在英国的超级俱乐部里tr迷，保罗·奥肯福德（Paul Oakenfold），皮特·唐（Pete Tong），托尼·德维特（Tony De Vit），丹尼·兰普林（Danny Rampling），萨沙（Sasha）和朱尔斯（Jules）法官。甚至美国也最终选择了声音，由自己的出色DJ演员领导，包括克里斯托弗·劳伦斯和金博尔·柯林斯。

Breaking out of the German techno and hardcore scene of the early '90s, Trance emphasized brief synthesizer lines repeated endlessly throughout tracks, with only the addition of minimal rhythmic changes and occasional synthesizer atmospherics to distinguish them -- in effect putting listeners into a trance that approached those of religious origin. Despite waning interest in the sound during the mid-'90s, trance made a big comeback later in the decade, even supplanting house as the most popular dance music of choice around the globe.

Inspired by acid house and Detroit techno, trance coalesced with the opening of R&S Records in Ghent, Belgium and Harthouse/Eye Q Records in Frankfurt, Germany. R&S defined the sound early on with singles like "Energy Flash" by Joey Beltram, "The Ravesignal" by CJ Bolland, and others by Robert Leiner, Sun Electric, and Aphex Twin.

Harthouse, begun in 1992 by Sven Väth with Heinz Roth &Matthias Hoffman, made the most impact on the sound of trance with Hardfloor's minimal epic "Hardtrance Acperience" and Väth's own "L'Esperanza," plus releases by Arpeggiators, Spicelab, and Barbarella. Artists like Väth, Bolland, Leiner, and many others made the transition to the full-length realm, though without much of an impact on the wider music world.

Despite a long nascent period when it appeared trance had disappeared, replaced by breakbeat dance (trip-hop and jungle), the style's increasing impact on Britain's dance scene finally crested in the late '90s. The classic German sound had changed somewhat though, and the term "progressive" trance gained favor to describe influences from the smoother end of house and Euro dance.

By 1998, most of the country's best-known DJs -- Paul Oakenfold, Pete Tong, Tony De Vit, Danny Rampling, Sasha, Judge Jules -- were playing trance in Britain's superclubs. Even America turned on to the sound (eventually), led by its own cast of excellent DJs, including Christopher Lawrence and Kimball Collins.